{"id":9239,"date":"2022-05-25T17:23:46","date_gmt":"2022-05-25T15:23:46","guid":{"rendered":"https:\/\/www.directout.eu\/?p=9239"},"modified":"2023-07-20T10:27:20","modified_gmt":"2023-07-20T08:27:20","slug":"prodigy-ensures-operational-reliability-for-esc2022-in-turin","status":"publish","type":"post","link":"https:\/\/www.directout.eu\/de\/prodigy-ensures-operational-reliability-for-esc2022-in-turin\/","title":{"rendered":"PRODIGY sorgt f\u00fcr Betriebssicherheit beim ESC2022 in Turin"},"content":{"rendered":"<p><section class=\"ffb-id-5qf5oeb0 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf5oeb1 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf5okrj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>Beim Eurovision Song Contest 2022 (ESC), der in \u00fcber 50 L\u00e4nder weltweit \u00fcbertragen wird und mehr als 200 Millionen Zuschauer anzieht, kam die bisher umfangreichste DirectOut Infrastruktur zum Einsatz. Der deutsche Hersteller professioneller Audiohardware setzt so neue Ma\u00dfst\u00e4be f\u00fcr die Zuverl\u00e4ssigkeit der Ton\u00fcbertragung bei Veranstaltungen.<\/p>\n<p>Ziel des Systemdesigns war es, sicherzustellen, dass bei einem Ausfall eines einzelnen Elements die Ton\u00fcbertragung nicht l\u00e4nger als 3 ms unterbrochen wird. Um dies zu erreichen, war es notwendig, f\u00fcr jedes Ger\u00e4t ein oder mehrere Backups einzurichten, wobei die erste Redundanzstufe unabh\u00e4ngig von der Reaktionszeit des Bedieners sein musste. Eine weitere Anforderung bestand darin, dass alle Anwendungen und Signale bidirektional auf ein einziges Sample genau synchronisiert sein mussten, Signalst\u00f6rungen waren vollst\u00e4ndig zu vermeiden.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style><\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf62dnt fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf62dnu fg-col col-xs-12 col-md-7 fg-text-dark\"><div class=\"ffb-id-5qf63fhm fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p class=\"translation-block\">Um diese au\u00dfergew\u00f6hnliche Systemsicherheit zu erreichen, setzten die Planer auf Audiowandler, Prozessoren und Verteilersysteme von DirectOut - insbesondere auf den multifunktionalen Audio Prozessor <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a>.<\/p>\n<p class=\"translation-block\">Beim ESC 2022 wurden 14 <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a> als zentrales Audio-Interface und Signalverteilungssystem eingesetzt, weil sie Schnittstellen zwischen unterschiedlichen Audioformaten und Herstellern bieten und so ein gro\u00dfes und vielf\u00e4ltiges Audiosystem in den Anwendungen FOH, Monitor, Playback, Patch Room und Broadcast nahtlos integrieren.\nZwischen den unterschiedlichen Anwendungen des Audiosystems arbeitete der <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a> mit  <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/#fastsrc\" target=\"_self\">FastSRC\u2122<\/a> im Bypass Mode, um innerhalb nur eines Samples automatisch auf eine asynchrone Signalverbindung zu reagieren \u2013 bidirektional und ohne St\u00f6rungen.<\/p>\n<p><\/div><\/div><div class=\"ffb-id-5qf62dnv fg-col col-xs-12 col-md-5 fg-text-dark\"><a class=\"ffb-id-5qf64jqi  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/05\/do-103-esc-2022-2.jpeg\" title=\"PRODIGY @ Eurovision Song Contest 2022\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/05\/do-103-esc-2022-2.jpeg\"  alt=\"do-103-esc-2022-2\"  title=\"PRODIGY @ Eurovision Song Contest 2022\"   ><\/a><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5qf64jqi{ padding-top: 6px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf6b2kh fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf6b2ki fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf6bb5p fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p class=\"translation-block\">F\u00fcr das Playback-System kam au\u00dferdem die im PRODIGY integrierte automatische Redundanzumschaltung <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/#ears\" target=\"_self\">EARS\u2122<\/a> zum Einsatz, welche zuvor eigens f\u00fcr den ESC 2022 erweitert wurde. EARS\u2122 erkennt nicht nur, ob der Audio-Stream eines Wiedergabesystems empfangen wird oder nicht, sondern auch, ob sich das Wiedergabesystem (im diesem Falle: ProTools) in einem Buffer-Loop-Zustand befindet. Im Falle eines Signalausfalls oder der Erkennung eines solchen Buffer Loops schaltet EARS\u2122, nach vorheriger Pr\u00fcfung, den gesamten Port oder Mehrkanal-Stream auf das Backup um.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5qf64jqi{ \npadding-top: 6px;\n\n}\n}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf6m71g fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf8dei0 fg-col col-xs-12 col-md-5 fg-text-dark\"><a class=\"ffb-id-5qf8dei1  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/05\/do-103-esc-2022-3.jpeg\" title=\"PRODIGY @ Eurovision Song Contest 2022\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/05\/do-103-esc-2022-3.jpeg\"  alt=\"do-103-esc-2022-3\"  title=\"PRODIGY @ Eurovision Song Contest 2022\"   ><\/a><\/div><div class=\"ffb-id-5qf6m71h fg-col col-xs-12 col-md-7 fg-text-dark\"><div class=\"ffb-id-5qf6l8bj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>Zus\u00e4tzlich zu den beiden Signalquellen \u201aMain\u2018 und \u201aBackup\u2018 steht nun mit \u201aDisaster Recovery\u2018 eine dritte Signalquelle zur Verf\u00fcgung, auf die bei Ausfall von \u201aMain\u2018 und \u201aBackup\u2018 umgeschaltet wird.\n\nUm die Betriebssicherheit zus\u00e4tzlich zu erh\u00f6hen kamen im PRODIGY.MP au\u00dferdem die Input Manager und der Automator zum Einsatz \u2013 letzteres ein komplett neues Feature des PRODIGY.MP welches seine Feuertaufe im Rahmen des ESC erfolgreich bestand.<\/p>\n<p class=\"translation-block\">\u201eDer <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a> war die perfekte L\u00f6sung, weil er mehrere komplexe Aufgaben parallel ausf\u00fchren kann\", erkl\u00e4rt Luca Giaroli, Signal Distribution Designer und Manager f\u00fcr den ESC2022.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5qf8dei1{ padding-top: 15px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf718r7 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf718r8 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf71bv2 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p class=\"translation-block\">\u201eAufgrund seiner Redundanzstrategie und der zahlreichen unterst\u00fctzenden Funktionen war er sogar in der Lage die Sicherheit weniger performanter Systemkomponenten zu erh\u00f6hen. Dank <a href=\"https:\/\/www.directout.eu\/de\/produkt\/globcon-2\/\" target=\"_self\">globcon<\/a> hatte ich das gesamte System immer unter Kontrolle\".<\/p>\n<p>Ein ausf\u00fchrlicherer Bericht ist hier zu finden: <a href=\"https:\/\/www.directout.eu\/de\/prodigy-mp-at-esc2022\/\">PRODIGY.MP at&nbsp;ESC2022<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5qf8dei1{ \npadding-top: 15px;\n\n}\n}<\/style><script type=\"text\/javascript\"><\/script><style><\/style><script type=\"text\/javascript\"><\/script><\/p>","protected":false},"excerpt":{"rendered":"<p>Broadcast to over 50 countries worldwide and attracting more than 200 million viewers, the Eurovision Song Contest 2022 (ESC) employed most extensive DirectOut infrastructure so far deployed at the event, setting new standards in the reliability of the event\u2019s sound.<\/p>","protected":false},"author":7,"featured_media":9237,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[59,96,60,98,104,190],"tags":[67,89],"class_list":["post-9239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-broadcast","category-broadcast-press","category-live","category-live-press","category-press-releases","category-prodigy-ref","tag-press","tag-prodigy","post-wrapper"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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