{"id":9340,"date":"2022-07-04T17:20:24","date_gmt":"2022-07-04T15:20:24","guid":{"rendered":"https:\/\/www.directout.eu\/?p=9340"},"modified":"2023-07-20T10:26:41","modified_gmt":"2023-07-20T08:26:41","slug":"directout-prodigy-mp-strengthens-audio-resilience-and-reduces-weight-and-space-for-lewis-capaldi","status":"publish","type":"post","link":"https:\/\/www.directout.eu\/de\/directout-prodigy-mp-strengthens-audio-resilience-and-reduces-weight-and-space-for-lewis-capaldi\/","title":{"rendered":"DirectOut PRODIGY.MP strengthens audio resilience and reduces weight and space for Lewis Capaldi"},"content":{"rendered":"<p><section class=\"ffb-id-5qf5oeb0 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf5oeb1 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf5okrj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>Arena and festival live music audiences of tens of thousands have high expectations for a memorable, professional and fault-free performance. The stage performance emulating, or even improving upon, the performance on the album \u2013 plus all the extra razzmatazz, visuals and, of course, atmosphere of sharing this with thousands of other, hopefully, like-minded fans. The stakes are high.<\/p>\n<p>Folglich investiert die tourende Live Musikindustrie in gro\u00dfem Umfang in Technologie und Ausr\u00fcstung, um ein klangliches und visuelles Erlebnis auf h\u00f6chstem Niveau zu bieten. Die Erfahrung hat jedoch gezeigt, dass das Schlimmste passieren kann und auch passiert. Daher sind Tourneesysteme auch gegen Hardware-, Software- und k\u00fcnstlerische St\u00f6rungen und Fehler abgesichert.<\/p>\n<p>As well as dual-redundant system design for the main sound and visual systems, the same levels of protection are applied to the performance systems with dualled keyboard electronics, guitar pedalboards and playback for effects, musical fills and elements that are just not practical or financially viable to take on tour. Afterall, it\u2019s well known that string-sections do not take well to sleeping on tour buses!<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style><\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf62dnt fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf62dnu fg-col col-xs-12 col-md-7 fg-text-dark\"><div class=\"ffb-id-5qf63fhm fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>So, when the Lewis Capaldi tour was filling up with dates after the hard stop forced by the pandemic, and with a schedule that was likely to run until 2024, Paul Docherty, playback engineer for the tour, was picking his weapons of choice in his battle against the unexpected. \u201cMy main goal was to have redundancy for both backing tracks and keys on the input side\u201d comments Paul while finishing the preparation of the racks \u201cand, based on my experience on previous pop tours, I wanted a system which also offered conversion to different digital and analog outputs. You could be at a festival or at a stadium one day, and at a radio station the next day. So in my head I was thinking, I want a sort of Swiss Army knife\u2026\u201d<\/p>\n<p>Paul, a longtime DirectOut user since the early days of the ubiquitous ANDIAMO converter and the <a href=\"https:\/\/www.directout.eu\/de\/produkt\/exbox-blds\/\">EXBOX.BLDS<\/a>, which introduced the first truly automatic and transparent changeover between the two sources of a redundant playback system. Since when, Paul has also used DirectOut\u2019s <a href=\"https:\/\/www.directout.eu\/de\/produkt\/exbox-md\/\">EXBOX.MD<\/a> as a redundancy switch when Dante audio networking was required.<\/p>\n<p><\/div><\/div><div class=\"ffb-id-5qf62dnv fg-col col-xs-12 col-md-5 fg-text-dark\"><a class=\"ffb-id-5qf64jqi  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-002-lewis-capaldi-02.jpg\" title=\"Paul Docherty in front of the &#039;A&#039; Rig\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-002-lewis-capaldi-02.jpg\"  alt=\"do-rf-002-lewis-capaldi-02\"  title=\"Paul Docherty in front of the &#039;A&#039; Rig\"   ><\/a><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5qf62dnt{ padding-top: 12px;}}@media (min-width:1200px) { .ffb-id-5qf63fhm{ padding-top: 18px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf6b2kh fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf6b2ki fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf6bb5p fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>The EXBOX.BLDS and EXBOX.MD were the first two members of a group of products, due to be expanded to thirteen this summer, equipped with DirectOut\u2019s transparent auto-changeover technology \u2013 more recently christened <a href=\"\/de\/glossary\/#glossary-ears\" target=\"_blank\" rel=\"noopener\">EARS\u2122<\/a> (Enhanced Automatic Redundancy Switching). EARS\u2122, which has probably secured the playback for many hundreds, if not thousands of concerts, festivals and events, is a system that prevents interruption of the output signal due to computer audio software or hardware glitches. EARS\u2122 monitors the condition of a trigger signal on one channel of both multi-channel inputs and, in the event of a fault or error, switches automatically, instantly (within a sample) and so transparently to the backup connection.<\/p>\n<p>Paul\u2019s initial plans were therefore to follow the usual route of using two EXBOX.MD Dante-to-Madi interfaces combined with a couple of AD\/DA converters to get the job done for Lewis Capaldi\u2019s tour.<\/p>\n<p>With 32 Dante channels for backing tracks and 32 more for the keys, the initial setup would have worked with two EXBOX.MDs managing 32 main and 32 backup channels each, and external AD\/DA interfaces handling the conversion. The insurmountable problems were, however, the size and the weight.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5qf62dnt{ \npadding-top: 12px;\n\n}\n}@media (min-width:1200px) { \n.ffb-id-5qf63fhm{ \npadding-top: 18px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5qf6b2kh{ padding-top: 10px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5v7m8v2l fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc98fms fg-col col-xs-12 col-md-3 fg-text-dark\"><\/div><div class=\"ffb-id-5vc95a2h fg-col col-xs-12 col-md-6 fg-text-dark\"><a class=\"ffb-id-5vc95a2i  responsive-image-wrapper freshframework-lightbox-external-video fg-text-dark\" href=\"https:\/\/vimeo.com\/317661739\" title=\"PRODIGY.MP Demo\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2021\/10\/2he-prodigy-mp-01.jpg\"  alt=\"2he-prodigy-mp-01\"  title=\"PRODIGY.MP Demo\"   ><\/a><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5qf6b2kh{ \npadding-top: 10px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5vc95a2i{ padding-top: 15px;}}<\/style><script type=\"text\/javascript\"><\/script><blockquote class=\"ffb-id-5vc8e5t9 blockquotes-v4 text-center fg-text-dark\"><div class=\"blockquotes-v4-text ff-richtext\"><\/p>\n<p><em>You could be at a festival or at a stadium one day, and at a radio station the next day. <\/em><\/p>\n<p><em>So in my head I was thinking, I want a sort of Swiss Army knife\u2026<\/em><\/p>\n<p><\/div><span class=\"blockquotes-v4-by\">Paul Docherty<\/span><\/blockquote><style>@media (min-width:1200px) { \n.ffb-id-5vc95a2i{ \npadding-top: 15px;\n\n}\n}.ffb-id-5vc8e5t9 .blockquotes-v4-text:before{ background-color: #cbcbcb ;}.ffb-id-5vc8e5t9 .blockquotes-v4-text:after{ background-color: #cbcbcb ;}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5vc8vhrj fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc8vhrk fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5vc8vhrm fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>\u201cIt was a lot of rack-space. More than I had available. There would have been two 4RU racks: one for playback, one for keys. Not to mention the quantity of external in-line PSUs. Then DirectOut turned my attention to PRODIGY.MP, but I had only ever seen it as a tool for processing, PA tuning, recording or things like that.\u201d<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>.ffb-id-5vc8e5t9 .blockquotes-v4-text:before{ \nbackground-color: #cbcbcb ;\n}\n.ffb-id-5vc8e5t9 .blockquotes-v4-text:after{ \nbackground-color: #cbcbcb ;\n}\n@media (min-width:1200px) { .ffb-id-5vc8vhrj{ padding-top: 10px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf6m71g fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf8dei0 fg-col col-xs-12 col-md-5 fg-text-dark\"><a class=\"ffb-id-5qf8dei1  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-002-lewis-capaldi-03.jpg\" title=\"&#039;A&#039; Rig in action\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-002-lewis-capaldi-03.jpg\"  alt=\"do-rf-002-lewis-capaldi-03\"  title=\"&#039;A&#039; Rig in action\"   ><\/a><\/div><div class=\"ffb-id-5qf6m71h fg-col col-xs-12 col-md-7 fg-text-dark\"><div class=\"ffb-id-5qf6l8bj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>However, the DirectOut PRODIGY.MP proved to be an all-in-one 2RU device that fulfilled his playback rig&rsquo;s total redundancy requirements for two complete sets of auto-changeover, routing and conversion.<\/p>\n<p>DirectOut PRODIGY is a fully modular device which allows great flexibility in terms of supporting different audio formats, and crucially also includes the previously mentioned EARS&trade; technology. PRODIGY.MP simultaneously accepts two audio networking modules, two Madi modules and up to 32 channels of analog or AES3 local I\/O. Adopting a single PRODIGY.MP equipped with two <a href=\"https:\/\/www.directout.eu\/de\/produkt\/dante-io\/\">DANTE.IO<\/a> modules gave Paul the possibility of cutting down rack-space, but still covering the total quantity of Dante channels he needed; and, in the same device, all the analog and Madi outputs required. All with just two standard IEC power connections!<\/p>\n<p>&ldquo;I could have two Dante modules, which would provide 32 channels each for two separate redundancies. I could have 32 channels with redundancy for tracks on one Dante module, and another 32 redundant channels for instruments on the second module,&rdquo; comments Paul. &ldquo;Along with that, I could have my choice of outputs, whether they would be Madi (BNC and SC fibre) and analogue&hellip; the options were endless. And all of it in this one 2U rack.&rdquo;<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5vc8vhrj{ \npadding-top: 10px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5qf6l8bj{ padding-top: 18px;}}@media (min-width:1200px) { .ffb-id-5qf8dei1{ padding-top: 15px;}}<\/style><script type=\"text\/javascript\"><\/script><blockquote class=\"ffb-id-5vc8n84q blockquotes-v4 text-center fg-text-dark\"><div class=\"blockquotes-v4-text ff-richtext\"><\/p>\n<p><em>I'm cutting down not only the rack size for when we have a full truck production, <\/em><\/p>\n<p><em>but the same size works perfectly for my flying rig!<\/em><\/p>\n<p><\/div><span class=\"blockquotes-v4-by\"><\/span><\/blockquote><style>@media (min-width:1200px) { \n.ffb-id-5qf6l8bj{ \npadding-top: 18px;\n\n}\n}@media (min-width:1200px) { \n.ffb-id-5qf8dei1{ \npadding-top: 15px;\n\n}\n}.ffb-id-5vc8n84q .blockquotes-v4-text:before{ background-color: #cbcbcb ;}.ffb-id-5vc8n84q .blockquotes-v4-text:after{ background-color: #cbcbcb ;}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf718r7 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf718r8 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf71bv2 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>Lewis Capaldi\u2019s production decided to invest in three PRODIGY.MP units for the playback rigs and recently added a fourth equipped with Madi and SoundGrid modules to place at FOH and provide 64 channel Madi to SoundGrid conversion for recording and virtual sound-checks.<\/p>\n<p>\u201cThe A rig and the B rig for playbacks are fully racked in a rolling truck system, mainly for Stadiums and Arenas, travelling on the trucks; while the C rig will always be carried by me, which we like to call the floater system\u201d adds Paul. \u201cThe fact that I can fit it in a Peli case is perfect. That\u2019s basically what I use during a pre-show or straight after a show, or if we need to go for radio or TV or whatever\u201d.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>.ffb-id-5vc8n84q .blockquotes-v4-text:before{ \nbackground-color: #cbcbcb ;\n}\n.ffb-id-5vc8n84q .blockquotes-v4-text:after{ \nbackground-color: #cbcbcb ;\n}\n<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5vc966t0 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc966t1 fg-col col-xs-12 col-md-7 fg-text-dark\"><div class=\"ffb-id-5vc966t3 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>And in Paul&rsquo;s opinion, this new way of looking at PRODIGY.MP could really set a standard in playback rigs: &ldquo;I do think that playback techs will start looking at a system like the PRODIGY to travel with. You can have it in a 2U rack and a Peli case and have it as hand-carry on a commercial airliner if needed. And I think that, under the usual budgetary restraints, I would be doing the same and just taking it everywhere with me.&rdquo;<\/p>\n<p>DirectOut PRODIGYs not only offer hardware modularity, but also employ a software license model for the scope of functionality provided by each unit, to match every production&rsquo;s needs and budget. In the case of these playback rigs, Paul decided to go for the PRODIGY.MP Essential System License, which leaves out all the DSP. This cuts down the costs, but still includes all the switching and resilience features for his playback systems.<\/p>\n<p>&ldquo;I bought the license without DSP because all the mixing and everything like that is taken care of by the audio world. I couldn't really see any need for me to use DSP from where I am as a playback engineer. But I can always go back, and update it, if I need to.&rdquo;<\/p>\n<p><\/div><\/div><div class=\"ffb-id-5vc966t4 fg-col col-xs-12 col-md-5 fg-text-dark\"><a class=\"ffb-id-5vc966t6  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-002-lewis-capaldi-04.jpg\" title=\"&#039;A&#039; Rig and &#039;B&#039; Rig\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-002-lewis-capaldi-04.jpg\"  alt=\"do-rf-002-lewis-capaldi-04\"  title=\"&#039;A&#039; Rig and &#039;B&#039; Rig\"   ><\/a><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5vc966t0{ padding-top: 12px;}}@media (min-width:1200px) { .ffb-id-5vc966t4{ padding-top: 12px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5v7madff fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5v7madfg fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5v7madfi fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>One of the features included in the PRODIGY.MP Essential that further convinced Paul to choose it for his playback rigs is the <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/#glossary-fastsrc\" target=\"_blank\" rel=\"noopener\">FastSRC\u2122<\/a>, which provides low-latency sample rate conversion, if needed, on all Madi and Audio Network I\/Os.<\/p>\n<p>\u201cAnd again, going back to the reason why I chose the PRODIGY\u2026 it's ok for us to be told at the start of a touring campaign, that we're always going to be traveling with the same audio package. So we don't have to worry about sample rate issues. But who knows, I may have to take this to a radio station, or a TV station, or on a show where I'm not afforded that comfort. With PRODIGY I'll be able to call \u2018Internal\u2019 if I have to. All those worries, at least, I know are covered by the PRODIGY, which is great!\u201d<\/p>\n<p>Last, but not least, another aspect which led Paul to making his decision was the relationship and support received by DirectOut.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5vc966t0{ \npadding-top: 12px;\n\n}\n}@media (min-width:1200px) { \n.ffb-id-5vc966t4{ \npadding-top: 12px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5v7madff{ padding-top: 12px;}}<\/style><script type=\"text\/javascript\"><\/script><blockquote class=\"ffb-id-5vc9h2g6 blockquotes-v4 text-center fg-text-dark\"><div class=\"blockquotes-v4-text ff-richtext\"><\/p>\n<p><em>I think what's been important for me is that people at DirectOut are very open to listening to our thoughts on how a system is operating and how it could potentially be better. Not a lot of companies will take that on board and then actually develop it. One thing about DirectOut that really impresses me is that this does actually happen.<\/em><\/p>\n<p><\/div><span class=\"blockquotes-v4-by\"><\/span><\/blockquote><style>@media (min-width:1200px) { \n.ffb-id-5v7madff{ \npadding-top: 12px;\n\n}\n}.ffb-id-5vc9h2g6 .blockquotes-v4-text:before{ background-color: #cbcbcb ;}.ffb-id-5vc9h2g6 .blockquotes-v4-text:after{ background-color: #cbcbcb ;}<\/style><script type=\"text\/javascript\"><\/script><style>.ffb-id-5vc9h2g6 .blockquotes-v4-text:before{ \nbackground-color: #cbcbcb ;\n}\n.ffb-id-5vc9h2g6 .blockquotes-v4-text:after{ \nbackground-color: #cbcbcb ;\n}\n<\/style><script type=\"text\/javascript\"><\/script><\/p>","protected":false},"excerpt":{"rendered":"<p>Arena and festival live music audiences of tens of thousands have high expectations for a memorable, professional and fault-free performance. The stage performance emulating, or even improving upon, the performance on the album \u2013 plus all the extra razzmatazz, visuals and, of course, atmosphere of sharing this with thousands of other, hopefully, like-minded fans. The stakes are high.<\/p>","protected":false},"author":8,"featured_media":9342,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[60,97,182,190,105],"tags":[89,68],"class_list":["post-9340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live","category-live-ref","category-playback-ref","category-prodigy-ref","category-references","tag-prodigy","tag-references","post-wrapper"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DirectOut PRODIGY.MP strengthens audio resilience and reduces weight and space for Lewis Capaldi - DirectOut<\/title>\n<meta name=\"description\" content=\"Arena and festival live music audiences of tens of thousands have high expectations for a memorable, professional and fault-free performance. 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