{"id":9642,"date":"2022-07-22T09:24:00","date_gmt":"2022-07-22T07:24:00","guid":{"rendered":"https:\/\/www.directout.eu\/?p=9642"},"modified":"2023-07-20T10:26:12","modified_gmt":"2023-07-20T08:26:12","slug":"prodigy-mp-at-rock-am-ring-and-rock-im-park","status":"publish","type":"post","link":"https:\/\/www.directout.eu\/de\/prodigy-mp-at-rock-am-ring-and-rock-im-park\/","title":{"rendered":"PRODIGY.MP bei Rock am Ring und Rock im Park"},"content":{"rendered":"<p><section class=\"ffb-id-5qf5oeb0 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf5oeb1 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf5okrj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>Mit insgesamt 165.000 Besuchern hat an Pfingsten Deutschlands gr\u00f6\u00dftes Musikfestival stattgefunden. \u201aRock am Ring\u2018 am N\u00fcrburgring wurde 1985 von Marek Lieberberg erstmals veranstaltet. Das Schwesterfestival \u201aRock im Park\u2018 in N\u00fcrnberg kam einige Jahre sp\u00e4ter dazu. Auf den Hauptb\u00fchnen Utopia und Mandora spielten an drei Tagen nahezu 70 Acts, darunter Green Day, The Offspring, Marteria, Scooter, Muse, Beatsteaks und Billy Talent.<\/p>\n<p class=\"translation-block\">An der Utopia Stage kamen an beiden Spielst\u00e4tten erstmals je zwei <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a>  von DirectOut zum Einsatz.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style><\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf62dnt fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf62dnu fg-col col-xs-12 col-md-8 fg-text-dark\"><div class=\"ffb-id-5qf63fhm fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>\u201eMit den beiden PRODIGY.MP im Setup hatten wir eine technisch stabile und flexible L\u00f6sung zur Signal\u00fcbergabe der Gastpulte der einzelnen Bands \u2013 format\u00fcbergreifend und mit Fallback-M\u00f6glichkeit.\" so Philipp Knoll, Audio Bereichsleiter Rock am Ring, Scenotech.<\/p>\n<p>\u201eZus\u00e4tzlich konnten wir damit die notwendigen Signalwege f\u00fcr Notfalldurchsagen zur Entfluchtung einbinden und individuelle Summen f\u00fcr Recording und Stem-Mixe zum OB Van bereitstellen. Die M\u00f6glichkeiten des Signalprocessings in der DSP Matrix sind so umfassend, dass wir ihn als komplette Systemmatrix genutzt haben.\"<\/p>\n<p><\/div><\/div><div class=\"ffb-id-5qf62dnv fg-col col-xs-12 col-md-4 fg-text-dark\"><a class=\"ffb-id-5qf64jqi  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-stage-1-web.jpg\" title=\"Utopia Stage | Rock im Park in N\u00fcrnberg\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-stage-1-web.jpg\"  alt=\"do-rf-005-stage-1-web\"  title=\"Utopia Stage | Rock im Park in N\u00fcrnberg\"   ><\/a><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5qf64jqi{ padding-top: 8px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5v7madff fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5v7madfg fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5v7madfi fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p class=\"translation-block\">Platziert an FOH und auf der B\u00fchne waren die modularen Prozessoren \u00fcber Dante und MADI bei 96 kHz Abtastrate miteinander verbunden, wobei MADI als Fallback Signal vorgesehen war. Als physischer Link zwischen FOH und B\u00fchne wurden opticalCON MTP von Neutrik mit 24 Fiberlinks verwendet. Das Netzwerk wurde mit Luminex Switches realisiert und in verschiedene VLANs aufgeteilt \u2013 Dante 96 kHz primary, Dante 96 kHz secondary, Dante 48 kHz primary, Dante 48 kHz secondary, Management.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5qf64jqi{ \npadding-top: 8px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5v7madfi{ padding-top: 12px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf6b2kh fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc95a2h fg-col col-xs-12 col-md-5 fg-text-dark\"><a class=\"ffb-id-60l8bmsj  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-prodigy-mp-festival-B-inverted.png\" title=\"Example | PRODIGY@FOH and on Stage\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-prodigy-mp-festival-B-inverted.png\"  alt=\"do-rf-005-prodigy-mp-festival-B-inverted\"  title=\"Example | FOH and Stage are linked via fibre - Dante with MADI as fallback. Matrixing and signal processing (Delay, EQ, Dynamics) of different PA feeds in PRODIGY @ FOH. PA feeds via AES out from PRODIGY @ Stage. Delay feeds via AES or Dante from PRODIGY@FOH.\"   ><\/a><\/div><div class=\"ffb-id-5qf6b2ki fg-col col-xs-12 col-md-7 fg-text-dark\"><div class=\"ffb-id-5qf6bb5p fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>Am FOH fungierte <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a>  als Schnittstelle (analog, AES, MADI BNC oder Dante 48 kHz) f\u00fcr die Mischpulte der einzelnen Bands sowie dem Resident-System. Weitere Signale wie Moderation, Stage Announcement, Zuspielung aus dem OB Truck kamen \u00fcber den zweiten PRODIGY.MP auf der B\u00fchne.<\/p>\n<p><strong>Input Manager<\/strong><\/p>\n<p>Zur automatischen Umschaltung zwischen analogem und digitalem Eingang wurde der Input Manager f\u00fcr die Mischung des Headliner-Pultes verwendet. Pegel und Signal Lock werden \u00fcberwacht und im Fehlerfall wird automatisch auf den Fallback Eingang umgeschaltet. Mittels vorab durchgef\u00fchrtem Auto-Trim werden m\u00f6gliche Pegelunterschiede vermieden.<\/p>\n<p>&nbsp;<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5v7madfi{ \npadding-top: 12px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5qf6b2kh{ padding-top: 10px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5v7m8v2l fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc98fms fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-60l8kli0 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p><strong>16 x 4 Matrix (2 x Stereo)<\/strong>\n<p>Die Signale der Bands (Main L\/R, Near L\/R, Sub) wurden \u00fcber Flex Channels in drei verschiedenen 16 x 4 Matrizen (Main, Near, Sub) passend vorgemischt. \u00dcber eine weitere 16 x 4 Matrix (Aux) kamen zus\u00e4tzliche Signale wie Mic 1\/2 f\u00fcr Moderation, Zuspielung aus \u00dcbertragungswagen (Werbung, Durchsagen), DJ Console, B\u00fchnenansagen, \u201aTalk to PA\u2018 und eine Reserve-Eingang \u201aSpare\u2018, welcher \u00fcber einen weiteren Input Manager bereitgestellt wurde.<\/p>\n<p><strong>8 x 8 Matrix (4 x Stereo)<\/strong><\/p>\n<p>Die Vormischungen gingen in eine 8 x 8 Matrix, die zur Ansteuerung der einzelnen PA Wege \u2013 Main, Side, Near, Delay \u2013 verwendet wurde. Die Ausg\u00e4nge der 8 x 8 Matrix und der Sub Matrix liefen parallel via Dante und MADI zur B\u00fchne und standen lokal auch als AES Signal bereit.<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5qf6b2kh{ \npadding-top: 10px;\n\n}\n}@media (min-width:1200px) { .ffb-id-60l8kli0{ padding-top: 6px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5vc966t0 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc966t1 fg-col col-xs-12 col-md-2 fg-text-dark\"><div class=\"ffb-id-5vc966t3 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/div><\/div><div class=\"ffb-id-5vc966t4 fg-col col-xs-12 col-md-8 fg-text-dark\"><a class=\"ffb-id-5vc966t6  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-prodigy-mp-festival-inverted.png\" title=\"Example | PRODIGY@FOH\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-prodigy-mp-festival-inverted.png\"  alt=\"do-rf-005-prodigy-mp-festival-inverted\"  title=\"Example | PRODIGY @\u00a0FOH: Five input blocks (Aux, four consoles) are processed in Flex Channels and mixed in first matrix block. The three resulting matrix mixes (Aux, Main, Near) are mixed in the 2nd block to the different PA feeds. Subs running directly from 1st block. Groups (VCA) control all signals from different logical layers.\"   ><\/a><\/div><div class=\"ffb-id-60l8up77 fg-col col-xs-12 col-md-2 fg-text-dark\"><div class=\"ffb-id-60l8up78 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-60l8kli0{ \npadding-top: 6px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5vc966t6{ padding-top: 15px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5vc8vhrj fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5vc8vhrk fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5vc8vhrm fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p class=\"translation-block\"><strong>Clock<\/strong><\/p>\n<p>Clock Master war der <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\" target=\"_self\">PRODIGY.MP<\/a>  am FOH (Intern 96 kHz) \u2013 Digitalsignale wurden \u00fcber Sample Rate Converter nahtlos und mit minimaler Latenz integriert. Die AES I\/Os haben einen schaltbaren SRC on board. F\u00fcr MADI und Dante \u00fcbernimmt der im PRODIGY integrierte <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/glossary-fastsrc\/\" target=\"_self\">FastSRC\u2122<\/a>, wahlweise mit automatischer Erkennung, um den SRC bei Bedarf ger\u00e4uschlos zu aktivieren.<\/p>\n<p><strong>Controlling<\/strong><\/p> \n<p>Die Signaleing\u00e4nge, Matrizen und PA Wege wurden \u00fcber eine oder mehrere Gruppen komfortabel gesteuert (Pegel, Mute). Besonders praktisch ist die M\u00f6glichkeit, \u00fcber einen Gruppen-EQ eine Anpassung des Tunings vorzunehmen; z.B. bei ver\u00e4nderter Luftfeuchtigkeit oder \u00fcber ein Gruppen-Delay die Laufzeit einzustellen.<\/p><\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5vc966t6{ \npadding-top: 15px;\n\n}\n}@media (min-width:1200px) { .ffb-id-5vc8vhrj{ padding-top: 10px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-60l9fja6 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-60l9fja7 fg-col col-xs-12 col-md-8 fg-text-dark\"><a class=\"ffb-id-60l9fja9  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-globcon.jpg\" title=\"globcon overview\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-globcon.jpg\"  alt=\"do-rf-005-globcon\"  title=\"globcon overview | four consoles input blocks of Flex Channels with floated group fader (VCA level &amp; mute). Flex Channels for&#039;AuxInput&#039; with signal processing and further floated group faders to control &#039;AuxInput&#039;, all Matrices, complete PA or the individual PA feeds.\"   ><\/a><\/div><div class=\"ffb-id-60l9fjaa fg-col col-xs-12 col-md-4 fg-text-dark\"><div class=\"ffb-id-60t59oim fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>In globcon k\u00f6nnen unterschiedliche Display Layouts einfach per Tastendruck umgeschaltet werden, wodurch schneller Zugriff auf alle notwendigen Funktionen (Mute, Level) und Metering komfortabel m\u00f6glich ist.<\/p>\n<p><strong>Recording<\/strong>\n<p>Die Stereosummen der einzelnen Konsolen und die Vormischung der zus\u00e4tzlichen Signale (Aux) wurden in einer 16x4 Matrix gemischt und nach einem Limiter Plugin an beiden PRODIGY System via analog, AES und Dante 48 kHz bereitgestellt.<\/p><\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5vc8vhrj{ \npadding-top: 10px;\n\n}\n}@media (min-width:1200px) { .ffb-id-60t59oim{ padding-top: 18px;}}@media (min-width:1200px) { .ffb-id-60l9fja9{ padding-top: 15px;}}<\/style><script type=\"text\/javascript\"><\/script><style>@media (min-width:1200px) { \n.ffb-id-60t59oim{ \npadding-top: 18px;\n\n}\n}@media (min-width:1200px) { \n.ffb-id-60l9fja9{ \npadding-top: 15px;\n\n}\n}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf6m71g fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf6m71h fg-col col-xs-12 col-md-8 fg-text-dark\"><div class=\"ffb-id-5qf6l8bj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p class=\"translation-block\"><strong>Setup: <\/strong><\/p>\n<p> PRODIGY.MP (FOH)\n<p>1 x analog (8 ch)<br>\n3 x AES3 (je 8 ch) mit SRC<br>\n2 x MADI (je 64 ch) mit <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/glossary-fastsrc\/\" target=\"_self\">FastSRC\u2122<\/a><br>\n2 x Dante (je 64 ch) mit <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/glossary-fastsrc\/\" target=\"_self\">FastSRC\u2122<\/a><br>\n<\/strong><\/p>\n<p class=\"translation-block\">PRODIGY.MP (Stage): <p>\n<p>2 x analog (je 8 ch)<br>\n2 x AES3 (je 8 ch) mit SRC<br>\n2 x MADI (je 64 ch) mit <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/glossary-fastsrc\/\" target=\"_self\">FastSRC\u2122<\/a><br>\n2 x Dante (je 64 ch) mit <a href=\"https:\/\/www.directout.eu\/de\/support\/glossary\/glossary-fastsrc\/\" target=\"_self\">FastSRC\u2122<\/a><br>\n<\/p><\/p>\n<p><\/div><\/div><div class=\"ffb-id-5qf8dei0 fg-col col-xs-12 col-md-4 fg-text-dark\"><a class=\"ffb-id-5qf8dei1  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-foh-web.jpg\" title=\"globcon FOH\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2022\/07\/do-rf-005-foh-web.jpg\"  alt=\"do-rf-005-foh-web\"  title=\"globcon FOH\"   ><\/a><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5qf8dei1{ padding-top: 15px;}}@media (min-width:1200px) { .ffb-id-5qf6l8bj{ padding-top: 24px;}}<\/style><script type=\"text\/javascript\"><\/script><blockquote class=\"ffb-id-5vc8n84q blockquotes-v4 text-center fg-text-dark\"><div class=\"blockquotes-v4-text ff-richtext\"><\/p>\n<p><em>\u201eDas robuste Ger\u00e4tekonzept mit seinen vielf\u00e4ltigen Schnittstellen und der integrierten Signalbearbeitung\u2026das sind fantastische M\u00f6glichkeiten, die uns so begeistern, dass wir mit je zwei PRODIGY.MP angetreten sind.\"<\/em><\/p>\n<p><\/div><span class=\"blockquotes-v4-by\">Sebastian Hornung<\/span><\/blockquote><style>@media (min-width:1200px) { \n.ffb-id-5qf8dei1{ \npadding-top: 15px;\n\n}\n}@media (min-width:1200px) { \n.ffb-id-5qf6l8bj{ \npadding-top: 24px;\n\n}\n}.ffb-id-5vc8n84q .blockquotes-v4-text:before{ background-color: #cbcbcb ;}.ffb-id-5vc8n84q .blockquotes-v4-text:after{ background-color: #cbcbcb ;}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf718r7 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1\"><div class=\"fg-row row\" ><div class=\"ffb-id-5qf718r8 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf71bv2 fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>\"Als wir von der Venon AG mit der technischen Planung der Audiosystems an den Utopia B\u00fchnen beauftragt wurden, haben wir uns w\u00e4hrend der Konzeptionsphase den <a href=\"https:\/\/www.directout.eu\/de\/produkt\/prodigy-mp\/\">PRODIGY.MP<\/a> MP von DirectOut angesehen\" erinnert sich Sebastian Hornung, Audio Bereichsleiter Rock  im Park, TS Group. <br \/>\"Das robuste Ger\u00e4tekonzept mit seinen vielf\u00e4ltigen Schnittstellen und der integrierten Signalbearbeitung\u2026das sind fantastische M\u00f6glichkeiten, die uns so begeistern, dass wir mit je zwei PRODIGY.MP angetreten sind. Bedanken m\u00f6chte ich mich bei Luca Giaroli von DirectOut und Hansj\u00fcrg Meier von tonspur, die uns bei diesem Pionierprojekt so hilfsbereit unterst\u00fctzt haben. Man hat es h\u00f6ren k\u00f6nnen\u2026\u201c<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>.ffb-id-5vc8n84q .blockquotes-v4-text:before{ \nbackground-color: #cbcbcb ;\n}\n.ffb-id-5vc8n84q .blockquotes-v4-text:after{ \nbackground-color: #cbcbcb ;\n}\n<\/style><script type=\"text\/javascript\"><\/script><\/p>","protected":false},"excerpt":{"rendered":"<p>Attracting 165,000 visitors, Germany\u2019s largest music festival recently took place at the N\u00fcrburgring during Whitsun. \u2018Rock am Ring\u2019 was first organised by concert promoter Marek Lieberberg in 1985, with sister festival \u2018Rock im Park\u2019 in Nuremberg added a few years later. On the main stages \u2013 Utopia and Mandora \u2013 2022\u2019s events saw almost 70 acts play over three days, including Green Day, The Offspring, Marteria, Scooter, Muse, Beatsteaks and Billy Talent.<\/p>","protected":false},"author":9,"featured_media":9649,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[60,97,190,105],"tags":[89,68],"class_list":["post-9642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live","category-live-ref","category-prodigy-ref","category-references","tag-prodigy","tag-references","post-wrapper"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PRODIGY.MP at Rock am Ring and Rock im Park - DirectOut<\/title>\n<meta name=\"description\" content=\"Attracting 165,000 visitors, Germany\u2019s largest music festival recently took place at the N\u00fcrburgring during Whitsun. \u2018Rock am Ring\u2019 was first organised by concert promoter Marek Lieberberg in 1985, with sister festival \u2018Rock im Park\u2019 in Nuremberg added a few years later. On the main stages \u2013 Utopia and Mandora \u2013 2022\u2019s events saw almost 70 acts play over three days, including Green Day, The Offspring, Marteria, Scooter, Muse, Beatsteaks and Billy Talent.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.directout.eu\/de\/prodigy-mp-at-rock-am-ring-and-rock-im-park\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRODIGY.MP at Rock am Ring and Rock im Park - DirectOut\" \/>\n<meta property=\"og:description\" content=\"Attracting 165,000 visitors, Germany\u2019s largest music festival recently took place at the N\u00fcrburgring during Whitsun. \u2018Rock am Ring\u2019 was first organised by concert promoter Marek Lieberberg in 1985, with sister festival \u2018Rock im Park\u2019 in Nuremberg added a few years later. 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