{"id":9847,"date":"2022-03-04T10:00:11","date_gmt":"2022-03-04T09:00:11","guid":{"rendered":"https:\/\/www.directout.eu\/?p=9847"},"modified":"2025-10-31T16:32:01","modified_gmt":"2025-10-31T15:32:01","slug":"prodigy-mp-on-tour-with-imagine-dragons","status":"publish","type":"post","link":"https:\/\/www.directout.eu\/de\/prodigy-mp-on-tour-with-imagine-dragons\/","title":{"rendered":"PRODIGY.MP on tour with Imagine Dragons"},"content":{"rendered":"<p><section class=\"ffb-id-5vc8vhrj fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1 \"><div class=\"fg-row row    \" ><div class=\"ffb-id-5vc8vhrk fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5vc8vhrm fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p><em>An abstract from the FOH Magazine's article<\/em><\/p>\n<p>System engineer Cameron Whaley hails from San Diego and graduated from Full Sail in 2001. &ldquo;As I interned at studios, I became attracted to the live sound side of things and found myself at Sound Image in 2004,&rdquo; he says. &ldquo;I became fascinated by sound system design and tuning after a Meyer Sound class.&rdquo; He&rsquo;s been out with Backstreet Boys, The Lumineers, Los Bukis, and Five Finger Death Punch, and has been with Dragons since 2014. In 2019, he took home the Parnelli Award for Best System Tech [...]<\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { .ffb-id-5vc8vhrj{ padding-top: 10px;}}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-6383a0la fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1 \"><div class=\"fg-row row    \" ><div class=\"ffb-id-6383eso3 fg-col col-xs-12 col-md-3 fg-text-dark\"><\/div><div class=\"ffb-id-6383a0le fg-col col-xs-12 col-md-6 fg-text-dark\"><a class=\"ffb-id-6383a0lg  responsive-image-wrapper freshframework-lightbox-image fg-text-dark\" href=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2021\/10\/2he-prodigy-mp-01.jpg\" title=\"PRODIGY.MP\"><img decoding=\"async\"  class=\"fg-image  img-responsive full-width\"  src=\"https:\/\/www.directout.eu\/wp-content\/uploads\/2021\/10\/2he-prodigy-mp-01.jpg\"  alt=\"2he-prodigy-mp-01\"  title=\"The Optocore Loop\"   =\"\" ><\/a><\/div><div class=\"ffb-id-6383f41p fg-col col-xs-12 col-md-3 fg-text-dark\"><\/div><\/div><\/div><\/section><style>@media (min-width:1200px) { \n.ffb-id-5vc8vhrj{ \npadding-top: 10px;\n\n}\n}<\/style><script type=\"text\/javascript\"><\/script><blockquote class=\"ffb-id-5vc8e5t9 blockquotes-v4 text-center fg-text-dark\"><div class=\"blockquotes-v4-text ff-richtext\"><\/p>\n<p><i>It's a bit of a Swiss Army knife of a device that does things not many other devices can<\/i><\/p>\n<p><\/div><span class=\"blockquotes-v4-by\">Cameron Whaley<\/span><\/blockquote><style>.ffb-id-5vc8e5t9 .blockquotes-v4-text:before{ background-color: #cbcbcb ;}.ffb-id-5vc8e5t9 .blockquotes-v4-text:after{ background-color: #cbcbcb ;}<\/style><script type=\"text\/javascript\"><\/script><section class=\"ffb-id-5qf5oeb0 fg-section fg-text-dark\"><div class=\"fg-container container fg-container-large fg-container-lvl--1 \"><div class=\"fg-row row    \" ><div class=\"ffb-id-6383a0lb fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-6383a0ld fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p>The new tool of the tour is the DirectOut Prodigy MP, Whaley noted. &ldquo;It&rsquo;s a bit of a Swiss army knife of a device that does things not many other devices can,&rdquo; he says. &ldquo;We&rsquo;re using it as a console switcher, SMAART interface, and a production mixer in one. It takes about any input and outputs you can think of &mdash;&nbsp;digital and analog.&rdquo; For example, they are using Dante as the SMAART Interface, P.A. sends, and sends to and from video world. Then there is MADI for various console sends\/returns and mic\/line I\/O plus AES as well. &ldquo;This has solved many problems for us. Previously we had to use many different devices to accomplish console switching, matrixing record feeds, mixing opening music from different sources including ducking for ads, and our SMAART mics and reference signals. It took me a while to realize the capabilities of the Prodigy MP, but now it&rsquo;s my go-to for solving routing issues.&rdquo;<\/p>\n<p><\/div><\/div><div class=\"ffb-id-5qf5oeb1 fg-col col-xs-12 col-md-12 fg-text-dark\"><div class=\"ffb-id-5qf5okrj fg-paragraph ff-richtext text-left    fg-text-dark\"><\/p>\n<p><em>To read the full article visit FOH Magazine's website at <a href=\"https:\/\/fohonline.com\/articles\/production-profile\/imagine-dragons-mercury-tour\/\" target=\"_blank\" rel=\"noopener\">this link.<\/a><\/em><\/p>\n<p><\/div><\/div><\/div><\/div><\/section><style>.ffb-id-5vc8e5t9 .blockquotes-v4-text:before{ \nbackground-color: #cbcbcb ;\n}\n.ffb-id-5vc8e5t9 .blockquotes-v4-text:after{ \nbackground-color: #cbcbcb ;\n}\n<\/style><script type=\"text\/javascript\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new tool of the tour is the DirectOut Prodigy MP, Whaley noted. \u201cIt\u2019s a bit of a Swiss army knife of a device that does things not many other devices can,\u201d he says. \u201cWe\u2019re using it as a console switcher, SMAART interface, and a production mixer in one.<\/p>","protected":false},"author":8,"featured_media":18509,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[60,97,190,105],"tags":[89,68],"class_list":["post-9847","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live","category-live-ref","category-prodigy-ref","category-references","tag-prodigy","tag-references","post-wrapper"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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