"As you wish" is the DNA of each PRODIGY.
PRODIGY uses a customizable mainframe, with dedicated slots that can be populated using a variety of IO modules and a scalable license management.
I´ve been using both MC and MP for their basic functions, but both do what I need and do that very well. They have also reduced our footprint, weight and added functionality with great tech support, which is also key.
The PRODIGY.MP basically forms the central hub of the entire system, the backbone if you will... I realized I could replace a dozen different things with a set of PRODIGYs... Furthermore, the Automator software allows us to configure various rules based on external triggers and internal conditions, which is extremely powerful.
I found that every parameter we adjusted using globcon showed up in Smaart exactly as you would expect to see it, and with completely linear phase, which was really impressive to see. If I had to sum it up in a few words, I would say it’s very very accurate and very sensitive.
PRODIGY.MP gives us the ability to meet the vast majority of the technical needs of the outside companies hosted by the theater during the season and meets also our internal audio signal management needs for events organized directly by us.
We were originally clocking off the AES input from the DiGiCo FOH console but for security and the continued possibility of isolation we made the decision to use the PRODIGYs internal clock due to its reliability.
...the PRODIGY.MP instantly became an important and permanent part of our gear complement.
Between all the options presented to us, we chose the PRODIGY.MP audio processor because it sums up the functions of Audio Gateway (Dante to ST2110-30 and vice-versa), DSP, routing, remote control and NMOS interfacing in a single device . In addition, we already knew from direct experience that we could count on Audiosales' support for the overall configuration and training of our staff.
Alessandro De Felice
…well-made equipment with good technical support and a feeling that the people behind the design of the products value our opinions and respond to our requests for new features.
The latency between a microphone input leaving the stage and its converted version reaching the Heritage console is 0.8ms! It's downright amazing to have so little latency! Formidable!
You could be at a festival or at a stadium one day, and at a radio station the next day. So in my head I was thinking, I want a sort of Swiss Army knife…